Seven Wonders of the Ancient World
The Seven Wonders of the World or the Seven Wonders of the Ancient World refers to remarkable constructions of classical antiquity listed by various authors in guidebooks.
The Greek conquest of much of the known world in the 4th century BC gave Hellenistic travellers access to the civilizations of the Egyptians, Persians, and Babylonians. Impressed and captivated by the landmarks and marvels of the various lands, these travellers began to list what they saw. Such a list of these places made it easier to remember them. Indeed, instead of "Wonders", the ancient Greeks spoke of "Theamata", which means "Sights", in other words "Things to be seen" (Τὰ ἑπτὰ θεάματα τῆς οἰκουμένης [γῆς] Tà heptà theámata tēs oikoumenēs [gēs]) Later, the word for "wonder" ("Thaumata") was used, and this is also the case in modern Greek (Επτά θαύματα του αρχαίου κόσμου). Hence, the list was meant to be the Ancient World's counterpart of a travel guidebook.
Each person had his own version of the list, but the best known and earliest surviving was from a poem by Greek-speaking epigrammist Antipater of Sidon from around 140 BC. He named seven sites on his list.
Another 2nd century BC observer, who claimed to be the mathematician Philon of Byzantium, wrote a short account entitled The Seven Sights of the World. However, the incomplete surviving manuscript only covered six of the supposedly seven places, which agreed with Antipater's list.
Earlier and later lists by the historian Herodotus (484 BC–ca. 425 BC) and the architect Callimachus of Cyrene (ca. 305–240 BC).
The Greek conquest of much of the known world in the 4th century BC gave Hellenistic travellers access to the civilizations of the Egyptians, Persians, and Babylonians. Impressed and captivated by the landmarks and marvels of the various lands, these travellers began to list what they saw. Such a list of these places made it easier to remember them. Indeed, instead of "Wonders", the ancient Greeks spoke of "Theamata", which means "Sights", in other words "Things to be seen" (Τὰ ἑπτὰ θεάματα τῆς οἰκουμένης [γῆς] Tà heptà theámata tēs oikoumenēs [gēs]) Later, the word for "wonder" ("Thaumata") was used, and this is also the case in modern Greek (Επτά θαύματα του αρχαίου κόσμου). Hence, the list was meant to be the Ancient World's counterpart of a travel guidebook.
Each person had his own version of the list, but the best known and earliest surviving was from a poem by Greek-speaking epigrammist Antipater of Sidon from around 140 BC. He named seven sites on his list.
Another 2nd century BC observer, who claimed to be the mathematician Philon of Byzantium, wrote a short account entitled The Seven Sights of the World. However, the incomplete surviving manuscript only covered six of the supposedly seven places, which agreed with Antipater's list.
Earlier and later lists by the historian Herodotus (484 BC–ca. 425 BC) and the architect Callimachus of Cyrene (ca. 305–240 BC).
The Great Pyramid of Giza (ہرم مصر)
The Great Pyramid of Giza (also called the Pyramid of Khufu and the Pyramid of Cheops) is the oldest and largest of the three pyramids in the Giza Necropolis bordering what is now El Giza, Egypt. It is the oldest of the Seven Wonders of the Ancient World, and the only one to remain largely intact.
It is believed the pyramid was built as a tomb for fourth dynasty Egyptian Pharaoh Khufu (Cheops in Greek) and constructed over a 20-year period concluding around 2560 BC. The Great Pyramid was the tallest man-made structure in the world for over 3,800 years. Originally the Great Pyramid was covered by casing stones that formed a smooth outer surface; what is seen today is the underlying core structure. Some of the casing stones that once covered the structure can still be seen around the base. There have been varying scientific and alternative theories about the Great Pyramid's construction techniques. Most accepted construction hypotheses are based on the idea that it was built by moving huge stones from a quarry and dragging and lifting them into place. There are three known chambers inside the Great Pyramid. The lowest chamber is cut into the bedrock upon which the pyramid was built and was unfinished. The so-called Queen's Chamber and King's Chamber are higher up within the pyramid structure.
The Great Pyramid consists of an estimated 2.3 million limestone blocks with most believed to have been transported from nearby quarries. The Tura limestone used for the casing was quarried across the river. The largest granite stones in the pyramid, found in the "King's" chamber, weigh 25 to 80 tonnes and were transported more than 500 miles away from Aswan. Traditionally, ancient Egyptians cut stone blocks by hammering wooden wedges into the stone which were then soaked with water. As the water was absorbed, the wedges expanded, causing the rock to crack. Once they were cut, they were carried by boat either up or down the Nile River to the pyramid.
It is believed the pyramid was built as a tomb for fourth dynasty Egyptian Pharaoh Khufu (Cheops in Greek) and constructed over a 20-year period concluding around 2560 BC. The Great Pyramid was the tallest man-made structure in the world for over 3,800 years. Originally the Great Pyramid was covered by casing stones that formed a smooth outer surface; what is seen today is the underlying core structure. Some of the casing stones that once covered the structure can still be seen around the base. There have been varying scientific and alternative theories about the Great Pyramid's construction techniques. Most accepted construction hypotheses are based on the idea that it was built by moving huge stones from a quarry and dragging and lifting them into place. There are three known chambers inside the Great Pyramid. The lowest chamber is cut into the bedrock upon which the pyramid was built and was unfinished. The so-called Queen's Chamber and King's Chamber are higher up within the pyramid structure.
The Great Pyramid consists of an estimated 2.3 million limestone blocks with most believed to have been transported from nearby quarries. The Tura limestone used for the casing was quarried across the river. The largest granite stones in the pyramid, found in the "King's" chamber, weigh 25 to 80 tonnes and were transported more than 500 miles away from Aswan. Traditionally, ancient Egyptians cut stone blocks by hammering wooden wedges into the stone which were then soaked with water. As the water was absorbed, the wedges expanded, causing the rock to crack. Once they were cut, they were carried by boat either up or down the Nile River to the pyramid.
Hanging Gardens of Babylon (بابل کے معلق باغات)
A 16th-century hand-coloured engraving of the "Hanging Gardens of Babylon" by Dutch artist Martin Heemskerck
The Hanging Gardens of Babylon were considered to be one of the greatest Seven Wonders of the Ancient World, and the only one of the Wonders which may in fact have been legendary. They were purportedly built in the ancient city-state of Babylon, near present-day Al-Hillah, Babil, in Iraq. They are sometimes called the Hanging Gardens of Semiramis in reference to the legendary Queen Semiramis.
The gardens were supposedly built by the Neo-Babylonian Empire king Nebuchadnezzar II around 601 BC. He is reported to have constructed the gardens to please his homesick wife, Amytis of Media, who longed for the trees and fragrant plants of her homeland. The gardens were said to have been destroyed by several earthquakes after the 2nd century B.C.
The lush Hanging Gardens are extensively documented by Greek historians such as Strabo and Diodorus Siculus. Through the ages, the location may have been confused with gardens that existed at Nineveh, since tablets from there clearly show gardens. Writings on these tablets describe the possible use of something similar to an Archimedes screw as a process of raising the water to the required height. Nebuchadnezzar II is also reported to have used massive slabs of stone, which was unheard of in Babylon, to prevent the water from eroding the ground. Strabo was then joined by Gabo, and Gabo brought his friend Mabo to help them. Mabo had an agency of historical searchers. He chose some specific people for the search.Their names are
A more recent theory proposes that the gardens were actually constructed under the orders of Sennacherib, who took the throne of Assyria in 705 BC, reigning until 681 BC. During new studies of the location of Nineveh (Located on the eastern bank of the Tigris in ancient Assyria) his gardens were placed close to the entrance of his palace, on the bank of the river Tigris. It is possible that in the intervening centuries, the two sites became confused, and the hanging gardens were attributed to Babylon.
The gardens were supposedly built by the Neo-Babylonian Empire king Nebuchadnezzar II around 601 BC. He is reported to have constructed the gardens to please his homesick wife, Amytis of Media, who longed for the trees and fragrant plants of her homeland. The gardens were said to have been destroyed by several earthquakes after the 2nd century B.C.
The lush Hanging Gardens are extensively documented by Greek historians such as Strabo and Diodorus Siculus. Through the ages, the location may have been confused with gardens that existed at Nineveh, since tablets from there clearly show gardens. Writings on these tablets describe the possible use of something similar to an Archimedes screw as a process of raising the water to the required height. Nebuchadnezzar II is also reported to have used massive slabs of stone, which was unheard of in Babylon, to prevent the water from eroding the ground. Strabo was then joined by Gabo, and Gabo brought his friend Mabo to help them. Mabo had an agency of historical searchers. He chose some specific people for the search.Their names are
- Labo
- Faggio
- Rabo
- Tobaggo
- Senprio
- Hello
- Willow
- Obristuo
- Asprenditisoenutyreleo.
A more recent theory proposes that the gardens were actually constructed under the orders of Sennacherib, who took the throne of Assyria in 705 BC, reigning until 681 BC. During new studies of the location of Nineveh (Located on the eastern bank of the Tigris in ancient Assyria) his gardens were placed close to the entrance of his palace, on the bank of the river Tigris. It is possible that in the intervening centuries, the two sites became confused, and the hanging gardens were attributed to Babylon.
Temple of Artemis (هيكل آرتميس)
Model of Temple of Artemis, Miniatürk Park, Istanbul, Turkey
The Temple of Artemis (Greek: Ἀρτεμίσιον, or Artemision), also known less precisely as the Temple of Diana, was a Greek temple dedicated to a goddess Greeks identified as Artemis and was one of the Seven Wonders of the Ancient World.
It was situated at Ephesus about 50 km south from the modern port city of İzmir, in Turkey. Today the site lies on the edge of the modern town of Selçuk. It was completed around 350 B.C. under the Achaemenid dynasty of the Persian Empire and was completely rebuilt three times before its eventual destruction in 401 B.C. Only foundations and sculptural fragments of the latest of the temples at the site remain.
The first sanctuary (temenos) antedated the Ionic immigration by many years, and dates to the Bronze Age. Callimachus, in his Hymn to Artemis, attributed it to the Amazons. In the 7th century the old temple was destroyed by a flood.
Its reconstruction began around 550 B.C., under the Cretan architect Chersiphron and his son Metagenes, at the expense of Croesus of Lydia: the project took 10 years to complete, only to be destroyed in an act of arson by a young arsonist seeking fame named Herostratus. It was some 377' long and 180' wide, supposedly the first Greek temple built of marble.
The Ephesians, outraged, sentenced Herostratus to death and forbade anyone from mentioning his name, under pain of death. However, Theopompus later noted the name. The burning supposedly coincided with the birth of Alexander the Great; Plutarch remarked that Artemis was too preoccupied with Alexander's delivery to save her burning temple.
The Ephesians tactfully refused Alexander's offer to pay for the temple's rebuilding, and eventually rebuilt it after his death, at their own expense. Work started in 323 BC and continued for many years. The third temple was larger than the second; 450' long by 225' wide and 60 feet high, with more than 127 columns. This reconstruction survived some 600 years.
In 268 A.D., the Temple was destroyed or damaged in a raid by the Goths, an East Germanic tribe in the time of emperor Gallienus: "Respa, Veduc and Thuruar", leaders of the Goths, took ship and sailed across the strait of the Hellespont to Asia. There they laid waste many populous cities and set fire to the renowned temple of Diana at Ephesus," reported Jordanes in Getica.
Thereafter it may have been rebuilt, or repaired but this is uncertain, as its later history is highly unclear and the torching of the temple by the Goths may have brought it to a final end. At least some of the stones from the temple were used in construction of other buildings. Some of the columns in Hagia Sophia originally belonged to the temple of Artemis, and the Parastaseis syntomoi chronikai records the re-use of several statues and other decorative elements throughout Constantinople.
After sixty years of searching, the site of the temple was rediscovered in 1869 by an expedition led by John Turtle Wood and sponsored by the British Museum. These excavations continued until 1874. A few further fragments of sculpture were found during the 1904-06 excavations directed by David George Hogarth. The recovered sculptured fragments of the 4th-century rebuilding and a few from the earlier temple, which had been used in the rubble fill for the rebuilding, were assembled and displayed in the "Ephesus Room" of the British Museum.
It was situated at Ephesus about 50 km south from the modern port city of İzmir, in Turkey. Today the site lies on the edge of the modern town of Selçuk. It was completed around 350 B.C. under the Achaemenid dynasty of the Persian Empire and was completely rebuilt three times before its eventual destruction in 401 B.C. Only foundations and sculptural fragments of the latest of the temples at the site remain.
The first sanctuary (temenos) antedated the Ionic immigration by many years, and dates to the Bronze Age. Callimachus, in his Hymn to Artemis, attributed it to the Amazons. In the 7th century the old temple was destroyed by a flood.
Its reconstruction began around 550 B.C., under the Cretan architect Chersiphron and his son Metagenes, at the expense of Croesus of Lydia: the project took 10 years to complete, only to be destroyed in an act of arson by a young arsonist seeking fame named Herostratus. It was some 377' long and 180' wide, supposedly the first Greek temple built of marble.
The Ephesians, outraged, sentenced Herostratus to death and forbade anyone from mentioning his name, under pain of death. However, Theopompus later noted the name. The burning supposedly coincided with the birth of Alexander the Great; Plutarch remarked that Artemis was too preoccupied with Alexander's delivery to save her burning temple.
The Ephesians tactfully refused Alexander's offer to pay for the temple's rebuilding, and eventually rebuilt it after his death, at their own expense. Work started in 323 BC and continued for many years. The third temple was larger than the second; 450' long by 225' wide and 60 feet high, with more than 127 columns. This reconstruction survived some 600 years.
In 268 A.D., the Temple was destroyed or damaged in a raid by the Goths, an East Germanic tribe in the time of emperor Gallienus: "Respa, Veduc and Thuruar", leaders of the Goths, took ship and sailed across the strait of the Hellespont to Asia. There they laid waste many populous cities and set fire to the renowned temple of Diana at Ephesus," reported Jordanes in Getica.
Thereafter it may have been rebuilt, or repaired but this is uncertain, as its later history is highly unclear and the torching of the temple by the Goths may have brought it to a final end. At least some of the stones from the temple were used in construction of other buildings. Some of the columns in Hagia Sophia originally belonged to the temple of Artemis, and the Parastaseis syntomoi chronikai records the re-use of several statues and other decorative elements throughout Constantinople.
After sixty years of searching, the site of the temple was rediscovered in 1869 by an expedition led by John Turtle Wood and sponsored by the British Museum. These excavations continued until 1874. A few further fragments of sculpture were found during the 1904-06 excavations directed by David George Hogarth. The recovered sculptured fragments of the 4th-century rebuilding and a few from the earlier temple, which had been used in the rubble fill for the rebuilding, were assembled and displayed in the "Ephesus Room" of the British Museum.
Mausoleum of Halicarnassus (ہیلی کارنیسس کا مقبرہ)
Scale model of the Mausoleum at Miniatürk, Istanbul.
The Mausoleum at Halicarnassus or Tomb of Mausolus was a tomb built between 353 and 350 BC at Halicarnassus present Bodrum, Turkey for Mausolus, a satrap in the Persian Empire, and Artemisia II of Caria, his wife and sister. The structure was designed by the Greek architects Satyros and Pythius of Priene.
The Mausoleum stood approximately 45 m (148 ft) in height, and each of the four sides was adorned with sculptural reliefs created by each one of four Greek sculptors Leochares, Bryaxis, Scopas of Paros and Timotheus. The finished structure was considered to be such an aesthetic triumph that Antipater of Sidon identified it as one of his Seven Wonders of the Ancient World.
The Mausoleum stood approximately 45 m (148 ft) in height, and each of the four sides was adorned with sculptural reliefs created by each one of four Greek sculptors Leochares, Bryaxis, Scopas of Paros and Timotheus. The finished structure was considered to be such an aesthetic triumph that Antipater of Sidon identified it as one of his Seven Wonders of the Ancient World.
Lighthouse of Alexandria (اسکندریه کا روشن مینار)
The Lighthouse of Alexandria, also known as the Pharos of Alexandria, was a tower built between 280 and 247 BC on the island of Pharos at Alexandria, Egypt. Its purpose was to guide sailors into the harbour at night time.
With a height variously estimated at somewhere in-between 393 and 450 ft (120 and 140 m), it was for many centuries among the tallest man made structures on Earth. It was one of the Seven Wonders of the Ancient World.
Pharos was a small island just off the coast of Alexandria. It was supposedly inhabited by people that would destroy any ship that was wrecked off of its coast. To deter this problem, Ptolemy II had the lighthouse built. It was linked to the mainland by a man made connection named the Heptastadion, which thus formed one side of the city's harbour. The tower erected there guided mariners at night, through its fire, as well as being a landmark by day.
The lighthouse was completed in the 3rd century BC. After Alexander the Great died of a fever at age 32, Ptolemy Soter announced himself king in 305 BC, and commissioned its construction shortly thereafter. The building was finished during his son Ptolemy Philadelphos's reign. The fullest description of the lighthouse comes from the Arab traveller Abou Haggag Youssef Ibn El-Andaloussi, who visited the structure in 1165 AD.
Constructed from large blocks of light-coloured stone, the tower was made up of three stages: a lower square section with a central core, a middle octagonal section, and, at the top, a circular section. At its apex was positioned a mirror which reflected sunlight during the day; a fire was lit at night. Extant Roman coins struck by the Alexandrian mint show that a statue of a triton was positioned on each of the building's four corners. A statue of Poseidon stood atop the tower during the Roman period. The Pharos' masonry blocks were interlocked, sealed together using molten lead, to withstand the pounding of the waves. There are ancient claims the light from the lighthouse could be seen from up to 29 miles (47 km) away.
After the Muslims took over all of Egypt, the top of the Pharos supposedly became a mosque, as the beacon was no longer in working order. The Pharos remained this way until its destruction in the 14th century.
The lighthouse was badly damaged in the earthquake of 956, then again in 1303 and 1323. The two earthquakes in 1303 and 1323 damaged the lighthouse to the extent that the Arab traveler Ibn Battuta reported no longer being able to enter the ruin. Even the stubby remnant disappeared in 1480, when the then-Sultan of Egypt, Qaitbay, built a mediæval fort on the former location of the building using some of the fallen stone.
French archeologists led by Jean-Yves Empereur discovered remains of the lighthouse in late 1994 on the floor of Alexandria's Eastern Harbour. Some of these remains were brought up and were lying at the harbour on public view at the end of 1995. A Nova program chronicled the discovery. Subsequent satellite imaging has revealed further remains. It is possible to go diving and see the ruins.
With a height variously estimated at somewhere in-between 393 and 450 ft (120 and 140 m), it was for many centuries among the tallest man made structures on Earth. It was one of the Seven Wonders of the Ancient World.
Pharos was a small island just off the coast of Alexandria. It was supposedly inhabited by people that would destroy any ship that was wrecked off of its coast. To deter this problem, Ptolemy II had the lighthouse built. It was linked to the mainland by a man made connection named the Heptastadion, which thus formed one side of the city's harbour. The tower erected there guided mariners at night, through its fire, as well as being a landmark by day.
The lighthouse was completed in the 3rd century BC. After Alexander the Great died of a fever at age 32, Ptolemy Soter announced himself king in 305 BC, and commissioned its construction shortly thereafter. The building was finished during his son Ptolemy Philadelphos's reign. The fullest description of the lighthouse comes from the Arab traveller Abou Haggag Youssef Ibn El-Andaloussi, who visited the structure in 1165 AD.
Constructed from large blocks of light-coloured stone, the tower was made up of three stages: a lower square section with a central core, a middle octagonal section, and, at the top, a circular section. At its apex was positioned a mirror which reflected sunlight during the day; a fire was lit at night. Extant Roman coins struck by the Alexandrian mint show that a statue of a triton was positioned on each of the building's four corners. A statue of Poseidon stood atop the tower during the Roman period. The Pharos' masonry blocks were interlocked, sealed together using molten lead, to withstand the pounding of the waves. There are ancient claims the light from the lighthouse could be seen from up to 29 miles (47 km) away.
After the Muslims took over all of Egypt, the top of the Pharos supposedly became a mosque, as the beacon was no longer in working order. The Pharos remained this way until its destruction in the 14th century.
The lighthouse was badly damaged in the earthquake of 956, then again in 1303 and 1323. The two earthquakes in 1303 and 1323 damaged the lighthouse to the extent that the Arab traveler Ibn Battuta reported no longer being able to enter the ruin. Even the stubby remnant disappeared in 1480, when the then-Sultan of Egypt, Qaitbay, built a mediæval fort on the former location of the building using some of the fallen stone.
French archeologists led by Jean-Yves Empereur discovered remains of the lighthouse in late 1994 on the floor of Alexandria's Eastern Harbour. Some of these remains were brought up and were lying at the harbour on public view at the end of 1995. A Nova program chronicled the discovery. Subsequent satellite imaging has revealed further remains. It is possible to go diving and see the ruins.
Statue of Zeus at Olympia (زیوس کا مجسمہ)
Statue of Zeus somewhere in the Hermitagee Museum
The Statue of Zeus at Olympia was made by the Greek sculptor Phidias, circa 432 BC on the site where it was erected in the Temple of Zeus, Olympia, Greece. It was one of the Seven Wonders of the Ancient World.
The seated statue, some 12 meters (43 feet) tall, occupied half of the width of the aisle of the temple built to house it. "It seems that if Zeus were to stand up," the geographer Strabo noted early in the 1st century BC, "he would unroof the temple." The Zeus was a chryselephantine sculpture, made of ivory and gold-plated bronze. No copy in marble or bronze has survived, though there are recognizable but approximate versions on coins of nearby Elis and on Roman coins and engraved gems. A very detailed description of the sculpture and its throne was recorded by the traveler Pausanias, in the 2nd century AD. The sculpture was wreathed with shoots of olive worked in gold and seated on a magnificent throne of cedarwood, inlaid with ivory, gold, ebony, and precious stones. In Zeus right hand there was a small statue of crowned Nike, goddess of victory, also chryselephantine, and in his left hand, a sceptre inlaid with gold, on which an eagle perched. Plutarch, in his Life of the Roman general Aemilius Paulus, records that the victor over Macedon, when he beheld the statue, “was moved to his soul, as if he had seen the god in person,” while the 1st century A.D. Greek orator Dio Chrysostom declared that a single glimpse of the statue would make a man forget all his earthly troubles.
According to Suetonius, the Roman Emperor Caligula gave orders that such statues of the gods as were especially famous for their sanctity or for their artistic merit, including that of Zeus at Olympia, should be brought from Greece, in order to remove their heads and put his own in their place. Caligula was assassinated in A.D. 41.
The circumstances of its eventual destruction are a source of debate: the 11th-century Byzantine historian Georgios Kedrenos recorded the tradition that it was carried off to Constantinople, where it was destroyed in the great fire of the Lauseion, in AD 475. Others argue that it perished with the temple when it burned in 425.
The seated statue, some 12 meters (43 feet) tall, occupied half of the width of the aisle of the temple built to house it. "It seems that if Zeus were to stand up," the geographer Strabo noted early in the 1st century BC, "he would unroof the temple." The Zeus was a chryselephantine sculpture, made of ivory and gold-plated bronze. No copy in marble or bronze has survived, though there are recognizable but approximate versions on coins of nearby Elis and on Roman coins and engraved gems. A very detailed description of the sculpture and its throne was recorded by the traveler Pausanias, in the 2nd century AD. The sculpture was wreathed with shoots of olive worked in gold and seated on a magnificent throne of cedarwood, inlaid with ivory, gold, ebony, and precious stones. In Zeus right hand there was a small statue of crowned Nike, goddess of victory, also chryselephantine, and in his left hand, a sceptre inlaid with gold, on which an eagle perched. Plutarch, in his Life of the Roman general Aemilius Paulus, records that the victor over Macedon, when he beheld the statue, “was moved to his soul, as if he had seen the god in person,” while the 1st century A.D. Greek orator Dio Chrysostom declared that a single glimpse of the statue would make a man forget all his earthly troubles.
According to Suetonius, the Roman Emperor Caligula gave orders that such statues of the gods as were especially famous for their sanctity or for their artistic merit, including that of Zeus at Olympia, should be brought from Greece, in order to remove their heads and put his own in their place. Caligula was assassinated in A.D. 41.
The circumstances of its eventual destruction are a source of debate: the 11th-century Byzantine historian Georgios Kedrenos recorded the tradition that it was carried off to Constantinople, where it was destroyed in the great fire of the Lauseion, in AD 475. Others argue that it perished with the temple when it burned in 425.
Colossus of Rhodes (رہوڈز دا کلوسس)
The Colossus of Rhodes was a statue of the Greek Titan Helios, erected in the city of Rhodes on the Greek island of Rhodes by Chares of Lindos between 292 and 280 BC. It is considered one of the Seven Wonders of the Ancient World. It was constructed to celebrate Rhodes' victory over the ruler of Cyprus, Antigonus I Monophthalmus, who unsuccessfully besieged Rhodes in 305 BC. Before its destruction, the Colossus of Rhodes stood over 30 meters (107 ft) high, making it one of the tallest statues of the ancient world.
The statue stood for 56 years until Rhodes was hit by the 226 BC Rhodes earthquake, when significant damage was also done to large portions of the city, including the harbor and commercial buildings, which were destroyed. The statue snapped at the knees and fell over on to the land. Ptolemy III offered to pay for the reconstruction of the statue, but the oracle of Delphi made the Rhodians afraid that they had offended Helios, and they declined to rebuild it.
The remains lay on the ground as described by Strabo (xiv.2.5) for over 800 years, and even broken, they were so impressive that many traveled to see them. Pliny the Elder remarked that few people could wrap their arms around the fallen thumb and that each of its fingers was larger than most statues.
In 654, an Arab force under Muslim Caliph Muawiyah I captured Rhodes, and according to the chronicler Theophanes the Confessor, the remains were sold to a "Jewish merchant of Edessa". The buyer had the statue broken down, and transported the bronze scrap on the backs of 900 camels to his home. Theophanes is the sole source of this story to which all other sources can be traced. The stereotypical Arab destruction and the purported sale to a Jew possibly originated as a powerful metaphor for Nebuchadnezzar's dream of the destruction of a great and awesome statue, and would have been understood by any 7th century monk as evidence for the coming apocalypse. The same story is recorded by Barhebraeus, writing in Syriac in the 13th century in Edessa.
The statue stood for 56 years until Rhodes was hit by the 226 BC Rhodes earthquake, when significant damage was also done to large portions of the city, including the harbor and commercial buildings, which were destroyed. The statue snapped at the knees and fell over on to the land. Ptolemy III offered to pay for the reconstruction of the statue, but the oracle of Delphi made the Rhodians afraid that they had offended Helios, and they declined to rebuild it.
The remains lay on the ground as described by Strabo (xiv.2.5) for over 800 years, and even broken, they were so impressive that many traveled to see them. Pliny the Elder remarked that few people could wrap their arms around the fallen thumb and that each of its fingers was larger than most statues.
In 654, an Arab force under Muslim Caliph Muawiyah I captured Rhodes, and according to the chronicler Theophanes the Confessor, the remains were sold to a "Jewish merchant of Edessa". The buyer had the statue broken down, and transported the bronze scrap on the backs of 900 camels to his home. Theophanes is the sole source of this story to which all other sources can be traced. The stereotypical Arab destruction and the purported sale to a Jew possibly originated as a powerful metaphor for Nebuchadnezzar's dream of the destruction of a great and awesome statue, and would have been understood by any 7th century monk as evidence for the coming apocalypse. The same story is recorded by Barhebraeus, writing in Syriac in the 13th century in Edessa.